Filed under: 17 Days (vol.5)
Five arms are struggling to silence three telephones, an alarm clock and a timer without success. This rejection of communication and more generally of what connects us to time is a pretext for a new experimentation where you “hear what you see” and vice versa. These simple gestures, intended to break an unwanted process, are repeated in a quasi-schizophrenic way. The result is a choreographic and musical fight that will end with some effort.
Jean-Michel Rolland, a musician for a long time then a painter, focus on video art to make his two favorite medium meet: sound and image. At the origin of each of his creations, musicality plays a role as important as image does and each one influences the other by transmediality. The result is a series of experimental videos where sound and image are so inseparable that the one without the other would lose its meaning.
He particularly appreciates using short sequences (samples) and repeat them all along his experimentations, wishing to transfigure commonplaces into coherent work. The sequences are treated as mere utensils, found objects, used to create visual and musical compositions at a time.
Unlike Scriabine’s, Kandinsky’s or even Schoenberg’s works, neither sound or image come first ; the two mediums take birth in a same creative impulse intended to be reactivated.
Jean-Michel Rolland – Paris France
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