It has been suggested that in dreams, every character represents the dreamer. In this short video loop the artist painstakingly chases himself, exuding much effort, with no reward. The sensation of struggle is in turn emphasized by the transformation of the landscape, audio distortion, as well as the continuous loop.
My work’s strongest connection is through me and is fueled by my everyday experiences and an obsession with time. I feel the constant pressure to be productive/efficient, but have the desire for tranquility. The work goes back and forth between a sense of anxiety and a sense of peace, which is caused by an internal restlessness. I struggle to find balance.
My background in painting is very important to how I approach the content and execution of my art. In a painting, I find myself responding mostly to the physicality/manipulation of the medium, and the mysterious quality in the constancy of the image. I want to treat video in a manner that considers the physicality of the material, including pixels, camera handling, and movement. Simultaneously, I want to deconstruct the most integral aspect of video, the timeline. I hope to establish a connection with the viewer, in a metal space that is similar to the one I enter when experiencing a painting, which activates emotions and stimulates thoughts, but does not necessarily suggest a specific predetermined conclusion. My attraction to the loop and gestural editing is driven by repetition, and its inherently compelling nature. When rhythm is established, a viewer can connect, and the details become accessible. A Key interest in my work is transitional state. I speculate that when I am in transit, that is where I find calmness. The stresses of point A and point B disappear in the space/time in between the two. It is in those moments and places I find myself free to think about any and every thing, or nothing at all, while becoming a purely sensory being.
There are other things that really inspire me; my concerns and interests on a broader scale such as spirituality, quantum physics, interconnectivity, philosophy, history and the future. The reason these topics are important is because I think this is how my work becomes accessible to others. These are the same topics I wonder about when pressured to produce or while in the serene transitional state. Everyone deals with peace and anxiety on a personal level, I think this is where the connection between myself and the viewer exists.
Adam Cruces – Kansas City Missouri