Filed under: 17 Days F08
My films are experimental, I work very much with animation, but I often mix two-dimensional successions of drawings and three-dimensional settings (animated using the “stop motion” technique) with real life shots. I like crossing over layers of different bits of film that were created with these different techniques. A lot of time based images in my films are abstract. I do not use narrative, action or talking, and the narration is for me what happens through the succession of images and places that appear on the screen one after the other with their elements moving into and out of the frame. Very often, I include figurative elements to the scenes that I construct: they could be objects created with clay carefully put in the right pace to signify a particular concept, real human beings moving and conveying particular emotions, or falling plants and water to give to the viewer the sense that a change is in progress. I think the most important thing in a movie is the shape of objects or their colors that alone can express a mood or send a message without the needs for words.
It is useful for me to stop for some time working with the camera, and start dealing with materials like paper, water, glue, canvas and clay: my video work is very much connected to the making of art. I think more like a sculptor or a photographer; I am much more a marker of shapes that when interlaced with time and sound make things happen, than a story teller.

The Tower Trilogy, 2005 – 10:00 mins
Barbara Agreste was born in Pescara in 1971. She first approaches art-making i the Art Lyceum of her town, and after completing the course she goes to Milan to attend a scenography course in the Academy of Arts. Not happy with the cultural atmosphere that surrounds her in Italy, at the age of 23 she moves to London where she begins working as a performer for “Rawhead Dance Theatre”. In 1996 Barbara enrolls in Kent Institute of Arts & Design taking as her subject of study “Film & Video Production”. After graduating in July 2000 she has access to the MA course in “Fine Art” at Central St. Martins College of Art & Design in London where she is awarded the “Master of Arts” in September 2004. Since then Barbara has continued producing films and paintings, exhibiting and attending film festivals in UK, Italy and in the rest of the world. Barbara lives and works in London although her visits to Italy are very frequent.
Barbara Agreste – London United Kingdom | Pescara Italy
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The succession of images in these videos are very jolting, along with the music it out me on edge, and I didn’t exactly know what was going on in them. The building of the noise and the alarms in the background, as they got louder the tension heightened but there was no release.
Comment by Morgana November 11, 2008 @ 5:59 pmI liked the element of the hand in them, the fact that she drew or scratched and then overlayed it made an interesting visual experience of texture, light and shadow. It began to take on an abstract effect with barely recognizable images which added a very interesting element to the videos.
I normally don’t like videos that use a lot of layering because it tends to look like they just used layers to hide their skill and make things more complicated than what it really is. However I did not feel that while watching Barbara Agreste’s video. I thought it was very effective and I like the stop action that was incorporated as well. Although the video is 10 min. long and it was probably made to loop so you didn’t have to watch the whole thing I was very intrigued and could not stop watching .
Comment by Amber Martin November 25, 2008 @ 2:24 pmI think that this video is an example of how we bring our own visual baggage to everything we watch. I founds this every intriguing, but the use of the chess board and and altered, but still recognizable chess pieces, as well that the dream-like aesthetic made me thing a of dark Alice and Wonderland. I’m not sure if it was intentional or even if there is a conscious acknowledgment of it, but it’s become such a trite subject for artists that it threw me off alittle.
Comment by Adrienne Marks November 25, 2008 @ 3:06 pmI appreciate the stop action found within the video but the spinning baby head and chess pieces seem a bit too repetitive. I liked how the sound got louder and louder as the piece advanced but it didn’t really come to a conclusion for me.
Comment by Tracy November 25, 2008 @ 4:07 pmin this film it was hard for me to pinpoint what the concept of it was. after reading her artist’s statement though, i think that that is the point. i appreciate things that are vague and allow the viewer to interpret it for themselves. to me, the chessboard with the baby head, grass and dew forming, then vanishing, and then forming again represents life, death, and rebirth.
Comment by brooke November 25, 2008 @ 5:34 pmArt is a expression but one struggles with this video. Layering is useful to refocus the attention to a new series or idea. However, in this video the layering overwhelms the viewer and it is difficult to grasp the concept. It is understood this is a sculptural piece but dimensions are flat because there is no focus or organization.
Comment by Andrea November 29, 2008 @ 11:34 amThe use of the chess board was a strong component considering the board is a use of strategy. The baby heads on the chess board spinning added an eerie effect somewhat of a sadistic feel i may say.
Comment by kevin December 2, 2008 @ 3:03 amoutstanding. the entire piece makes me uncomfortable. anything that can pull that out of me is more than noteworthy. the use of hair (completely grosses me out) adds a consistent texture that adds a different dimension to the video. The whole video has an ominous/creepy feel to it that i can appreciate. between the doll heads the clay shapes, water falling, color palette, hair … it all comes together very nicely to evoke the same feeling throughout.
Comment by nick December 3, 2008 @ 1:04 am